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According to Joel Dinerstein, it was no different in America between the two World Wars-an era sometimes known as the "machine age"-when innovative forms of music and dance helped a newly urbanized population cope with the increased mechanization of modern life. An impressive, important first book by an elegant and insightful writer. Avant-garde Music and the Sixties. Beal, author of New Music, New Allies: But it is more than that. Yet it was African American culture, Dinerstein argues, that ultimately provided the means of aesthetic adaptation to the accelerated tempo of modernity. Grand spectacles such as the Ziegfeld Follies and the movies of Busby Berkeley captured the American ethos of mass production, with chorus girls as the cogs of these fast, flowing pleasure vehicles. Drott explores the central role of musical genre in mediating political expression, through a sequence of brilliant studies of the chanson, free jazz, rock and avant-garde classical music. Jazz musicians drew on the symbol of the train within this tradition to create a set of train-derived aural motifs and rhythms, harnessing mechanical power to cultural forms.

Jazzbid


Jazz musicians drew on the symbol of the train within this tradition to create a set of train-derived aural motifs and rhythms, harnessing mechanical power to cultural forms. Grand spectacles such as the Ziegfeld Follies and the movies of Busby Berkeley captured the American ethos of mass production, with chorus girls as the cogs of these fast, flowing pleasure vehicles. It is vitally important for understanding the fragile alliances forged between music and French politics in the heady days of , and the ways in which those alliances inflected subsequent musical practice and discourse. Beal, author of New Music, New Allies: But it is more than that. An impressive, important first book by an elegant and insightful writer. Yet it was African American culture, Dinerstein argues, that ultimately provided the means of aesthetic adaptation to the accelerated tempo of modernity. Drott invites us into the heart of —into the institutions, and onto the streets—and reveals what this cultural revolution means for cultural politics today. Avant-garde Music and the Sixties. Cultural Politics and Political Culture in France, reminds us how music of all types serve as sensitive barometers of social and political currents of change. His rich body of research presents an egalitarian approach to contemporary music studies, and complements other recent scholarship that similarly focus on music and political movements during the s. In "The Ballad of John Henry," the epic toast "Shine," and countless blues songs, African Americans first addressed the challenge of industrialization. Drawing on a legacy of engagement with and resistance to technological change, with deep roots in West African dance and music, black artists developed new cultural forms that sought to humanize machines. According to Joel Dinerstein, it was no different in America between the two World Wars-an era sometimes known as the "machine age"-when innovative forms of music and dance helped a newly urbanized population cope with the increased mechanization of modern life. Drott explores the central role of musical genre in mediating political expression, through a sequence of brilliant studies of the chanson, free jazz, rock and avant-garde classical music. Tap dance and the lindy hop brought machine aesthetics to the human body, while the new rhythm section of big band swing mimicked the industrial soundscape of northern cities. In Dinerstein's view, the capacity of these artistic innovations to replicate the inherent qualities of the machine-speed, power, repetition, flow, precision-helps explain both their enormous popularity and social function in American life. It is a must-read for those interested in the events of and their fallout, and a model for writing about the intersection of music and politics in any era.

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Vudoktilar

07.12.2017 at 10:12 pm
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Drott invites us into the heart of —into the institutions, and onto the streets—and reveals what this cultural revolution means for cultural politics today. Tap dance and the lindy hop brought machine aesthetics to the human body, while the new rhythm section of big band swing mimicked the industrial soundscape of northern cities.

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